Here's the first groove we tried.
Showing posts with label Grooves. Show all posts
Showing posts with label Grooves. Show all posts
Thursday, 24 January 2013
Thursday, 15 March 2012
Wednesday, 14 March 2012
Rosanna Shuffle
So, here we are .... the famous Porcaro shuffle as played on 'Rosanna' by Toto (which you can find here on the PS Drums Spotify playlist).
This is the groove from the verse - it get's slightly more interesting for the chorus! Enjoy ...
Here is a video of Jeff Porcaro explaining and playing his shuffle. He also mentions the Bonham and Purdie Shuffles that we have already studied plus the 'Bo Diddley' rhythm as well - there's method to this madness I promise!!!!
Thursday, 1 March 2012
Friday, 15 July 2011
Thursday, 7 July 2011
Thursday, 23 June 2011
Cissy Strut - Two Grooves
As promised and requested, here is the groove from the classic New Orleans Funk track Cissy Strut by the Meters.
Remember to play it 'almost swung'....
Remember to play it 'almost swung'....
Having nailed that bit .... have a go a this 'sample bar' from the bridge. On the actual track, nearly all of the bars are different but this will give you a flavour of what's needed.
This week's suggested listening homework is some Earth, Wind and Fire - Live! You'll smile ... I promise. Here's the link, enjoy EWF - Live!
Let us all know how you're getting on Tweet
Friday, 17 June 2011
Rope - Two Grooves
Well done to everyone this week. It is a fast one ....
So as a reminder, here's the Intro and Verse Groove
And here's the Groove from the Bridge/Chorus, lead hand on the ride cymbal
So as a reminder, here's the Intro and Verse Groove
The downloadable PDF of the chart up to the drum soli phrasing can be found here.
Any problems, or questions don't forget to Tweet
Monday, 13 June 2011
16th note snare drum co-ordination
Last week we started to look at 16th note syncopation. This is the adding of notes, usually on the snare drum or bass drum in between the 8th notes on the hi-hat. I have written out the snare drums ex we looked at.
i) is the excercise written out in 8th notes to start with it's easier to read and will help you get comfortable with the co-ordination. Make sure your counting and take your time. The bass drum on 1 and three will help you get your bearings when you move onto ex ii.
ii) is EXACTLY THE SAME as ex i. The only difference being it's written as 16th notes rather than 8ths. So count it 1 e + a, 2 e + a, etc play it to a metronome if you can and the click should fall on the 1, 2, 3 and the 4 with the e + a's in between.
iii) Ok now you've got the ex's you can work on your co-ordination with your right foot. In this ex your playing the 1+ and the 3+ on the bass drum and missing out the 2 and 4. Again take it slow and count it. It shouldn't be too difficult as your bass drum plays with your right hand on the hi-hat.
iv) Same idea as before, your hands play the same but this time we've moved the bass drum 8th notes to +, 3 and +,1. Read it count it and take your time
v) This is the killer playing the bass drum on the + of 2 and 3 in the middle of the bar requires some serious counting but if you've practice the other ex's you shouldn't have much trouble nailing it.
When you can play all of these ex's try adding a back beat by playing your right hand on the snare drum on beats 2 and 4
i) is the excercise written out in 8th notes to start with it's easier to read and will help you get comfortable with the co-ordination. Make sure your counting and take your time. The bass drum on 1 and three will help you get your bearings when you move onto ex ii.
ii) is EXACTLY THE SAME as ex i. The only difference being it's written as 16th notes rather than 8ths. So count it 1 e + a, 2 e + a, etc play it to a metronome if you can and the click should fall on the 1, 2, 3 and the 4 with the e + a's in between.
iii) Ok now you've got the ex's you can work on your co-ordination with your right foot. In this ex your playing the 1+ and the 3+ on the bass drum and missing out the 2 and 4. Again take it slow and count it. It shouldn't be too difficult as your bass drum plays with your right hand on the hi-hat.
iv) Same idea as before, your hands play the same but this time we've moved the bass drum 8th notes to +, 3 and +,1. Read it count it and take your time
v) This is the killer playing the bass drum on the + of 2 and 3 in the middle of the bar requires some serious counting but if you've practice the other ex's you shouldn't have much trouble nailing it.
When you can play all of these ex's try adding a back beat by playing your right hand on the snare drum on beats 2 and 4
Sunday, 12 June 2011
Friday, 10 June 2011
Just one more ... Paradiddle-diddles Part 2
Hey Diddle-diddle ... Here's the last one, honest!
RECOMMENDED LISTENING : This week's listening homework is Rope - Foo Fighters. It's from their new album of the same name.
Thursday, 9 June 2011
Paradiddle-diddle Grooves - Part 1
Ok, here we go with the last part of the Paradiddle Groove journey. The download-able PDF can be found here.
Wednesday, 8 June 2011
16th Note Hi-hat Grooves
Here's a link to the pages already up with examples of hand to hand 16th note grooves like the ones we looked at on monday. Remember start slow and try to keep your hands down. Your aiming for a "light and tight" sound with out accenting the hands when the bass drum is playing. Start slow and remember to breathe
16th Note Hi Hat Grooves
16th Note Hi Hat Grooves
Wednesday, 1 June 2011
Double Paradiddle Grooves - Part 2 'The Inverted Double'
Ok, so how did you get on with the first batch? I bet you've nailed them all ...
Here's the second lot - This time its an Inverted Double Paradiddle, played on your left hand (Right hand for Big Dave) and right foot.
The downloadable PDF can be found here or click on the chart below to go full screen.
Watch out for the third and final instalment on Friday ... something for the weekend!
Here's the second lot - This time its an Inverted Double Paradiddle, played on your left hand (Right hand for Big Dave) and right foot.
The downloadable PDF can be found here or click on the chart below to go full screen.
Watch out for the third and final instalment on Friday ... something for the weekend!
NEW - Each post, from now on is going to include some recommended listening. You're going to need Spotify (if you need help with getting Spotify - let me know).
So this week's 'Listening home-work' is some fine West Coast Funk (pronounced FONK! as in honk) from Tower of Power. The drummer is David Garibaldi who is the king of funky grooves using paradiddles. Have a listen to this album Tower Of Power – Great American Soulbook.
Their version, on this album, of 'Me and Mrs Jones' is in 12/8 and therefore would be a great way to practice those double paradiddle triplet grooves! Me and Mrs Jones.
Enjoy ... and stay funky!
Their version, on this album, of 'Me and Mrs Jones' is in 12/8 and therefore would be a great way to practice those double paradiddle triplet grooves! Me and Mrs Jones.
Enjoy ... and stay funky!
Monday, 30 May 2011
Single and Double Paradiddle Grooves - Part 2
Ok, as promised here's part 2 of our Paradiddle Groove odyssey.
Here is a sheet to work through for starters. Click on the chart below to go full screen on you computer or click here for a downloadable PDF and watch out for the next part in a few days!
Here is a sheet to work through for starters. Click on the chart below to go full screen on you computer or click here for a downloadable PDF and watch out for the next part in a few days!
Sunday, 6 March 2011
SMK - The Intro Groove
Welcome back to everyone after our half-term break.
Ok, so we've started on the Chilli Peppers' SMK - and well done to everyone for doing so well last week.
Here is the Intro groove that we looked at.
Now we have looked at all of the three grooves that feature in this very groove/riff-based song click here to bring up all three posts with the videos to practice to.
Enjoy
Thursday, 24 February 2011
Wednesday, 23 February 2011
Monday, 21 February 2011
Sunday, 13 February 2011
Bo Diddley Grooves
Ok, so this week we looked at fast, Bo Diddley-based grooves. The first one we looked at was 'Town Called Malice' - The Jam. There are two grooves to deal with - Groove 1 is from the Intro (after the bass riff) and from the Chorus, Groove 2 is from the verse - play is straight NOT swung!
The second song we looked at was the classic - 'Can't Hurry Love' - Phil Collins. It's very similar to the Intro / Chorus groove above - with the addition of a bass drum on 3 of the second bar.
The third groove we looked at was 'Valerie' - Amy Winehouse / Mark Ronson. Slight change but again the same 'feel' and tempo.
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